Daily Productive Sharing 1247- How To Mark A Book
One helpful tip per day:)
Mortimer J. Adler believed that you don't truly own a book until you've made it part of yourself—and the best way to do that is by writing in it:
- Some people have a few or many books—every one of them worn out, heavily used, covered in notes and markings from beginning to end. These are the people who truly own their books.
- Just like great conductors annotate their scores every time they return to study them, you should mark up books to make the experience active and personal.
- Marking a book helps keep you awake—not just conscious, but engaged. If reading is active, it produces thought, and thought often seeks expression—spoken or written.
- Writing down your thoughts helps you remember both your own insights and the author’s.
- If you want reading to do more than pass the time, it must be active.
- A truly great book—rich in ideas and beauty, tackling deep, fundamental questions—demands your highest level of engagement.
- You can’t reach such content if you’re passive or “asleep.”
- The physical act of writing something down helps etch it into your memory and makes it easier to recall.
- Responding to meaningful passages and writing down questions deepens your understanding.
- Margins, blank pages, even the spaces between lines—all are fair game. Your marks become part of the book. When you revisit it, your earlier thoughts are there, waiting—like a conversation paused, ready to resume.
- That’s the ideal of reading: an ongoing dialogue with the author.
- Real understanding is a two-way process—learning isn’t just passive absorption.
- Some say annotating slows reading—true, and that’s exactly why it’s worthwhile.
- A wise reader adjusts their reading style to match the book’s value.
- With great books, what matters isn’t how many you’ve read—but how many have read into you, how many you’ve made part of yourself.
Adler’s specific note-taking system included:
- Underline or highlight: key points and strong arguments.
- Vertical lines in the margin: to further emphasize underlined text.
- Stars or symbols: use sparingly for the 10–20 most crucial ideas in the entire book.
- Numbers in the margin: to track the sequence of points in an argument.
- Page references: to cross-link related ideas across the book.
- Circling or highlighting key terms/phrases.
- Margin notes or top/bottom notes: record your questions, summary statements, or outline key arguments.
- Blank pages at the back: used as a personal index, summarizing key ideas in order of appearance.
- At the end: go back to the beginning and write your own outline—not point by point, but capturing the book’s overarching structure and logic.
- This outline is Adler’s benchmark for true understanding: if you can do this, the book is no longer just read—it’s yours.
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Mortimer J. Adler 认为只有把一本书变成自己的一部分时,我们才真正拥有它,而让它成为一部分的最佳方式,就是在书上写下我们的思考:
- 有些人可能有几本或许多书——每一本都被反复翻阅、已经破旧不堪、松松垮垮,书里从头到尾都留下了批注和标记。(这种人才真正“拥有”书。)
- 伟大的指挥家会不断在乐谱上做标记,每次回头学习时都要再做一遍,这也是你应当在书上做标记的原因。
- 首先,这能让你保持清醒(这里说的不是“清醒”而是专注的状态)。其次,如果阅读是主动的,那就会产生思考,而思考往往会通过口头或书面表达出来。最后,写下你的想法有助于你记住自己当时的思考,或作者表达的思想。
- 如果阅读想达到超越打发时间的效果,就必须是主动的。
- 一本真正伟大的书,充满思想与美,提出并尝试回答重要根本性问题,需要你以最高度的主动性来阅读。
- 你需要主动去探寻这些内容,而你在“沉睡”时是无法做到的。
- 用自己的手把文字写下来,这一动作能让你更清楚地把句子印在脑海中,也更容易记住。
- 写下你对重要词句的反应、这些句子引发的问题,就是在保留这些思考并让问题更加深刻。
- 页边(上下左右)、扉页、甚至行间的空间都可以利用。它们不是神圣不可侵犯的。最妙的是,你的标记和批注会成为书的一部分,永久留在那里。你可以在下周或下一年重新翻开这本书,所有的认同、质疑、疑惑和思考还在那里,就像是在继续一场被打断的对话,可以直接从上次停下的地方继续。
- 这正是阅读一本书的理想状态:与作者进行一场对话。
- 理解是一场双向操作;学习并不只是被动地接收。
- 有人会说在书上做标记会拖慢阅读进度,这很可能是真的,这也是为什么值得这么做。
- 聪明的阅读者,能够根据内容的价值采取不同的阅读方式。
- 对于好书来说,关键不在于你能读多少本,而在于有多少本书真正“读进”了你——有多少本你真正把它变成了自己的一部分。
具体而言,他是这么做笔记的:
- 画线(或高亮):标出关键点或重要、有力的论述。
- 页边的竖线:进一步强调已经划线的内容。
- 页边加星号、星花等小符号:要慎用,用于强调全书中最重要的十到二十条内容。
- 页边数字:用于标注作者构建某一论点时提出的分点顺序。
- 页边标注其他页码:指出书中其他地方有相关论点,把分散的内容关联起来。
- 圈出或高亮关键词或词组。
- 在页边或页首、页尾写下你的问题(及可能的答案)、把复杂讨论简化成一句话、或记录全书主要脉络。
- 他会用书的末尾空白页做一本人的索引,按出现顺序总结作者的重要观点。
- 读完并完成个人索引后,他会翻到首页,尝试整体勾画出全书的大纲——不是逐页或逐点,而是整体结构,梳理书的统一性与各部分顺序。
- 这个大纲,对他来说,是衡量是否真正理解这本书的标准。
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